Sketch Time: The Antiques Toadhole
INT. AUCTION HALL
We take in the whole scene. A sign above one table reads "Narcotics". It is manned by a police officer. A man sits down with a bag of white powder. The policeman examines it then handcuffs the man.
INT. AUCTION HALL - BARRY CROW'S TABLE
At a circular table sits Barry Crow, antiques expert. Next to him is Jim Peaswax, who has brought an ornate clock to be valued. Barry looks like a sleazy Met officer and talks with an exaggerated cockney accent. He is eating a large pasty.
Graphics: Barry Crow - Antiquesman
BARRY CROW
Right then, what the 'ell is this?
JIM PEASWAX
Uh, well, it was given to me by my father...
BARRY CROW
(interrupting)
I asked what it was, not what is its bleedin' life story!
JIM PEASWAX
Oh. Well, it's...it's a clock.
BARRY CROW
I KNOW IT'S A FUCKIN' CLOCK, WHAT TYPE OF CLOCK IS IT?
He sprays crumbs.
JIM PEASWAX
I...I'm not really sure...
BARRY CROW
Look, why did you bring the bloody thing in if you don't even know what type of clock it is?
JIM PEASWAX
Well, I thought you might be able to tell me...
Barry throws his pasty away.
BARRY CROW
Give me strength! Where do you keep the bastard?
JIM PEASWAX
It's, err, on the mantlepiece for the time being.
BARRY CROW
Bang, Mantlepiece Clock. Get it? Doesn't take a sodding genius!
JIM PEASWAX
Well, how much do you think it's worth?
Barry, who now has a cheeseburger, looks appalled.
BARRY CROW
How the fuck should I know? It's your bloody clock!
JIM PEASWAX
Do you think, maybe, twenty pounds?
BARRY CROW
I'll give you a fiver for it.
JIM PEASWAX
Ten pounds?
Barry considers this for a second.
BARRY CROW
Fuuuuuuuuuuck off!
He stuffs his face.
INT. AUCTION HALL - GRAHAM CRACKERS' SECTION
A large, ornate chest of drawers. To the left stands GRAHAM CRACKERS, furniture expert. To the right, TONY BUNCAKES, a punter. To the right of Tony stands a police officer keeping watch over the hall.
Graphics: GRAHAM CRACKERS, CHEST'S OF DRAWER'S
GRAHAM
Thank you so much for bringing in this wonderful chest of drawers, it really is magnificent!
Graham talks like an excited child and gesticulates madly, occassionally going on one knee and pointing madly or wrapping his arms around himself.
TONY
...magnificent, yes.
GRAHAM
When I see a piece of such quality, one name immediately springs to mind and that's the 18th century carpenter, ballet dancer and philanthropist Robin Banks.
TONY
...Robin Banks, yes.
The policeman hears this and looks over, a little confused.
GRAHAM
There is, of course, a problem when valuing pieces by Banks, that being the large number of copies which were made during the early twentieth century. A lot of dealers don't realise that they have in fact been selling forgeries!
TONY
...selling forgeries, yes!
The policeman looks alarmed and discreetly turns on a dictaphone.
GRAHAM
But really, it can be a serious problem because when one pays a great deal for a purported original, one takes a massive loss when selling it on, and frankly this is killing some people.
TONY
...killing some people, yes.
The policeman looks more shocked and starts talking into his radio.
GRAHAM
But, I've had a good look inside all the drawers and underneath and I'm happy to say that you have here an original Banks and Company with an Arthur and Klasky Number Forty-Seven writing desk attachment, or AK-47.
TONY
...AK-47, yes.
The policeman looks extremely shocked, is face a grimace of suprise and alarm. He pats his pockets for his truncheon.
GRAHAM
I really can't be sure of a price but I'd have to say that at a specialist auction you could be looking at two hundred thousand pounds, minus comission!
TONY
...twenty-five thousand pounds minus comission, yes.
The policeman leaps out, truncheon in one hand and a spray can in the
other.
POLICEMAN
AHA! Got you! It's all on tape, so don't even bother
denying it!
GRAHAM
If you are intent on selling, may I reccommend...
POLICEMAN
Quiet, scum!
He sprays the expert in the face. A green mist encompasses his head and all that is left is a skull.
SKULL
NAK-NAK-NAK-NAK-NAK!
The expert collapses in a heap of clothes.
TONY
...scum, yes.
POLICEMAN
Where were you going to do the job?
TONY
...the job, yes.
POLICEMAN
Don't try and stall, punk! I've got a truncheon and I'm not afraid to use it!
TONY
...to use it, yes.
POLICEMAN
Hang on a minute!
He "unmasks" Tony, revealing a Macaw underneath his face.
MACAW
Hang on a minute, yes! Rawk!
It flies off out of the skylight with jerky animation.
EXT. STREETS - DAY
We are alongside the macaw as it zooms down motorways and though towns to music.
INT. AUCTION HALL - PETER PIPER
The expert is PETER PIPER. Graphics: He picked a peck of pickled peppers.
A tall, heavily built man of African descent stands next to a wicker coffin standing upright. His name is MOKELE M'BEMBE
PIPER
Well then, what have you brought in for us?
M'BEMBE
An ancestor.
He remains completely deadpan.
PIPER
Oh...well then, let's have a look, shall we?
He opens the coffin, producing a cloud of dust.
PIPER
Good lord!
The camera quickly zooms in on the contents of the coffin - the shrivelled corpse of an Ethopian long distance runner, complete with vest, shorts and a piece of card with the number "47" written on it.
TRIBAL VOICES
AFRICAAAAAAAAAAAAA.
M'BEMBE
He died a warrior's death, winning the fifteen hundred metres final at the triple-As in Watford.
PIPER
I see. May I ask how he came to be involved in a British event?
M'BEMBE
He had a wildcard.
M'Bembe produces a large playing card upon which is a picture of a flamboyant King pulling a ridiculous face. It is the twenty-eight of Spam. M'Bembe hands it to Peter.
PIPER
Yes, that certainly is a pretty wild card. Looking at the...well..item, we have the maker's mark here, that of a famous designer in Addis Ababba called "forty-seven". Moving on, you can see that the nose is a little bent out of shape and, if you look closely, the forehead is chipped.
M'BEMBE
This is the result of my blessed ancestor courageously running into an advertising board at
the end of the race, showing his disgust at your people's obession with material possessions.
PIPER
Right. Well, in terms of price, obviously it has great sentimental value to you.
M'BEMBE
No! Do not be fooled. This is nothing more than a worthless husk.
PIPER
Well, it might suprise you to learn that I have seen these at auction going for two thousand pounds!
M'Bembe suddenly talks in a camp voice.
M'BEMBE
Really? No! Get away! Ooh! You are joking aren't you? Well bless you, you're a little darling!
Peter Piper pulls a strange face.
We take in the whole scene. A sign above one table reads "Narcotics". It is manned by a police officer. A man sits down with a bag of white powder. The policeman examines it then handcuffs the man.
INT. AUCTION HALL - BARRY CROW'S TABLE
At a circular table sits Barry Crow, antiques expert. Next to him is Jim Peaswax, who has brought an ornate clock to be valued. Barry looks like a sleazy Met officer and talks with an exaggerated cockney accent. He is eating a large pasty.
Graphics: Barry Crow - Antiquesman
BARRY CROW
Right then, what the 'ell is this?
JIM PEASWAX
Uh, well, it was given to me by my father...
BARRY CROW
(interrupting)
I asked what it was, not what is its bleedin' life story!
JIM PEASWAX
Oh. Well, it's...it's a clock.
BARRY CROW
I KNOW IT'S A FUCKIN' CLOCK, WHAT TYPE OF CLOCK IS IT?
He sprays crumbs.
JIM PEASWAX
I...I'm not really sure...
BARRY CROW
Look, why did you bring the bloody thing in if you don't even know what type of clock it is?
JIM PEASWAX
Well, I thought you might be able to tell me...
Barry throws his pasty away.
BARRY CROW
Give me strength! Where do you keep the bastard?
JIM PEASWAX
It's, err, on the mantlepiece for the time being.
BARRY CROW
Bang, Mantlepiece Clock. Get it? Doesn't take a sodding genius!
JIM PEASWAX
Well, how much do you think it's worth?
Barry, who now has a cheeseburger, looks appalled.
BARRY CROW
How the fuck should I know? It's your bloody clock!
JIM PEASWAX
Do you think, maybe, twenty pounds?
BARRY CROW
I'll give you a fiver for it.
JIM PEASWAX
Ten pounds?
Barry considers this for a second.
BARRY CROW
Fuuuuuuuuuuck off!
He stuffs his face.
INT. AUCTION HALL - GRAHAM CRACKERS' SECTION
A large, ornate chest of drawers. To the left stands GRAHAM CRACKERS, furniture expert. To the right, TONY BUNCAKES, a punter. To the right of Tony stands a police officer keeping watch over the hall.
Graphics: GRAHAM CRACKERS, CHEST'S OF DRAWER'S
GRAHAM
Thank you so much for bringing in this wonderful chest of drawers, it really is magnificent!
Graham talks like an excited child and gesticulates madly, occassionally going on one knee and pointing madly or wrapping his arms around himself.
TONY
...magnificent, yes.
GRAHAM
When I see a piece of such quality, one name immediately springs to mind and that's the 18th century carpenter, ballet dancer and philanthropist Robin Banks.
TONY
...Robin Banks, yes.
The policeman hears this and looks over, a little confused.
GRAHAM
There is, of course, a problem when valuing pieces by Banks, that being the large number of copies which were made during the early twentieth century. A lot of dealers don't realise that they have in fact been selling forgeries!
TONY
...selling forgeries, yes!
The policeman looks alarmed and discreetly turns on a dictaphone.
GRAHAM
But really, it can be a serious problem because when one pays a great deal for a purported original, one takes a massive loss when selling it on, and frankly this is killing some people.
TONY
...killing some people, yes.
The policeman looks more shocked and starts talking into his radio.
GRAHAM
But, I've had a good look inside all the drawers and underneath and I'm happy to say that you have here an original Banks and Company with an Arthur and Klasky Number Forty-Seven writing desk attachment, or AK-47.
TONY
...AK-47, yes.
The policeman looks extremely shocked, is face a grimace of suprise and alarm. He pats his pockets for his truncheon.
GRAHAM
I really can't be sure of a price but I'd have to say that at a specialist auction you could be looking at two hundred thousand pounds, minus comission!
TONY
...twenty-five thousand pounds minus comission, yes.
The policeman leaps out, truncheon in one hand and a spray can in the
other.
POLICEMAN
AHA! Got you! It's all on tape, so don't even bother
denying it!
GRAHAM
If you are intent on selling, may I reccommend...
POLICEMAN
Quiet, scum!
He sprays the expert in the face. A green mist encompasses his head and all that is left is a skull.
SKULL
NAK-NAK-NAK-NAK-NAK!
The expert collapses in a heap of clothes.
TONY
...scum, yes.
POLICEMAN
Where were you going to do the job?
TONY
...the job, yes.
POLICEMAN
Don't try and stall, punk! I've got a truncheon and I'm not afraid to use it!
TONY
...to use it, yes.
POLICEMAN
Hang on a minute!
He "unmasks" Tony, revealing a Macaw underneath his face.
MACAW
Hang on a minute, yes! Rawk!
It flies off out of the skylight with jerky animation.
EXT. STREETS - DAY
We are alongside the macaw as it zooms down motorways and though towns to music.
INT. AUCTION HALL - PETER PIPER
The expert is PETER PIPER. Graphics: He picked a peck of pickled peppers.
A tall, heavily built man of African descent stands next to a wicker coffin standing upright. His name is MOKELE M'BEMBE
PIPER
Well then, what have you brought in for us?
M'BEMBE
An ancestor.
He remains completely deadpan.
PIPER
Oh...well then, let's have a look, shall we?
He opens the coffin, producing a cloud of dust.
PIPER
Good lord!
The camera quickly zooms in on the contents of the coffin - the shrivelled corpse of an Ethopian long distance runner, complete with vest, shorts and a piece of card with the number "47" written on it.
TRIBAL VOICES
AFRICAAAAAAAAAAAAA.
M'BEMBE
He died a warrior's death, winning the fifteen hundred metres final at the triple-As in Watford.
PIPER
I see. May I ask how he came to be involved in a British event?
M'BEMBE
He had a wildcard.
M'Bembe produces a large playing card upon which is a picture of a flamboyant King pulling a ridiculous face. It is the twenty-eight of Spam. M'Bembe hands it to Peter.
PIPER
Yes, that certainly is a pretty wild card. Looking at the...well..item, we have the maker's mark here, that of a famous designer in Addis Ababba called "forty-seven". Moving on, you can see that the nose is a little bent out of shape and, if you look closely, the forehead is chipped.
M'BEMBE
This is the result of my blessed ancestor courageously running into an advertising board at
the end of the race, showing his disgust at your people's obession with material possessions.
PIPER
Right. Well, in terms of price, obviously it has great sentimental value to you.
M'BEMBE
No! Do not be fooled. This is nothing more than a worthless husk.
PIPER
Well, it might suprise you to learn that I have seen these at auction going for two thousand pounds!
M'Bembe suddenly talks in a camp voice.
M'BEMBE
Really? No! Get away! Ooh! You are joking aren't you? Well bless you, you're a little darling!
Peter Piper pulls a strange face.






